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During this month, the newspaper la cave publishes reviews EVENING committed la cave to leading filmmakers of the Middle East. From Turkey, Nuri Bilge Ceylan despite new cinematic hero is Sammy Kaplanoglu, winner of Berlin's Golden Bear movie Honey. "This film Kaplanoglu is actually the last part of the trilogy that comprises the Egg" and milk. "Amazingly how Sammy to the fine print Kaplanoglu captures the life of the common man in Turkey. care about even the little things like bread in which many families are kept in a plastic bag hanging on a hanger for towels! Such small (un) remarkable moments that reflect the povekjeslojnosta his films are a trademark of this director. Kaplanoglu used in editing Switch beautiful, sometimes with scenes look of kitsch culture, they are not normally displayed in films such as scenes of the tapestries store!
Although Kaplanoglu far popoetichen of Bilge Ceylan, the similarity of the two authors la cave is that use little words and gestures through which specific movements to emphasize our small part of the culture of living in Turkey. It is also interesting that the egg scenario "and Milk" can be de say almost the same words that I wrote two years ago for Three Monkeys "by Bilge Ceylan:
The scenario is typical for him, and depicts modern Turkey, with all its faults and virtues, using strong psychology, which shows a simple way, more through actions than through words, skillfully blending seamlessly at that hardly achievable in such a way synthesis image and zborr.
Sammy movies do not use music or hear the sounds of nature or the city, with the intelligent, and technically very difficult, and in this case effective way to highlight la cave the ruralnosta or urbanity displayed.
Finally, we separate the last scene of "Milk" in which a few minutes only show the main character smoking la cave a cigarette, and then ends with a glorious display only the blinding light of the battery miner's lamp that look amazing even seventy-two seconds, then work as remarkably original and effective metaphorical end of a little masterpiece!
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